Digital photography is generating excitement in the world of nature photography unlike anything
else in my long career. I have always cared dearly about obtaining quality images. As a result, I
missed the early stages of the digital revolution because it didn’t make any sense to buy cameras
that were far more expensive than top of the line film cameras, only to get inferior results. But, by
2003, the best digital cameras were coming close to the quality offered by the best slide films.
Perhaps they weren’t quite as good as Fuji Velvia 50 slide film, but digital capture was excellent
and becoming widely accepted by photo buyers. When the 16.7-megapixel Canon 1Ds Mark II
became available a year later, digital capture was at least as good as slide film and more fun too.
The new tools offered by digital such as being able to change the ISO from one shot to the next,
changing white balance to match the light conditions, and shooting panoramics and stitching the
images together with software, have tremendously affected the way nature photographers shoot
in the field. Students shooting digital learn much faster. The instant feedback offered by digital
capture makes it so easy to fix exposure, white balance, composition, or focusing mistakes in
the field while the subject is still present. That’s a huge advantage!
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